Before this book I did not know that
comedy spy porn was a literary genre. Nor was I aware that a man
named Ted Mark was that genres greatest scribe, having written dozens
of such books.
I found this book at the last SF
Library big book sale and thought owning a book with this title was
easily worth a dollar. Several months later I finally got around to
reading it.
Jaded as I am by the barrage of porn
available on the internet I found the porn in the book to be almost
quaint by comparison. It even seemed reserved by 1967 standards,
which is when it was published. A modern romance novel would put it
to shame. It does have however a certain naive charm. Genitalia are
never named in vulgar terms. The writer uses either medical terms or
cute euphemisms.
After a few chapters I started to
wonder whether the book was porn disguised as social commentary or
social commentary disguised as porn. After a few more chapters I
decided that neither could stand on its own which is probably why the
whole spy plot line had to be added.
The premise is that this handsome
recently-divorced lawyer owes a Senator a favor and is recruited to
investigate communist infiltration of community theater groups in
middle class American suburbs. In the course of his duties he begins
to have sex with each female member of his local theater troupe. I
say begin because he is almost always interrupted in some humorous
manor.
The humor is of course mostly juvenile
and exceedingly chauvinistic. The old complaint of how porn
objectifies and degrades women is truthfully founded in works like
this. In the midst of the sexual revolution the author paints woman
as opportunistic nymphomaniacs looking to avoid all responsibility in
life.
While not apologizing for the sexist
views of the author, like H.P. Lovecraft's racism you have to take it
as a symptom of culture and marketplace. It does detract for the work
but it shouldn't be banished because of it. The work should stand on
it's own. Though I doubt Mr. Mark's work will ever be measured beside
Lovecraft's.
So what am I trying to say about this
book? It's interesting as a time capsule of a forgotten sub-culture
and an artifact of a time in publishing of which I will always be
jealous. A time when many new writers found an easy path to getting
their little paperbacks published and distributed. Of course cable
TV, the web and the publishing industry's changes have done away with
all that. It sounds like I'm down on how things have changed but I'm
happy with the current state of things. My words find their way to my
readers. I think I'm just romanticizing a bygone era.
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