Life's experiences are like Lego
blocks. The longer you live and the more you do the more blocks you
collect. Some people wind up with enough pieces to build elaborate
castles, others so few that they can build nothing beyond a small
brick wall. Then there's me. After half a century I have lots of
pieces but they are those weird little pieces that come with the
specialty building sets that don't translate well to other purposes.
Pretty much everything I build looks like what they thought space
ships would look like in the eighteen-hundreds, but occasionally
they're race cars.
Sunday, June 24, 2012
Friday, June 8, 2012
Review: THE SOUND OF MURDER by Rex Stout
This is one of those rare non-Nero
Wolfe mysteries. It is the one and only appearance of Alphabet Hicks.
After reading the book you'll know why this was the only one. Despite
it's many flaws it got me to thinking about Stout's creative process.
The premise relies on whether or not a
voice on a recording is proof or not. What I believe posed a problem
for Stout was that Nero Wolfe would have dismissed the evidence
without even needing to listen to it. The other problem was that the
villain in the story would have been spotted by Archie almost
immediately as the square peg in the round society of the rich folks,
despite the distraction of the lovely damsel in distress.
Stout needed a new detective. Someone
who existed outside New York's elite society. Someone intelligent but
inexperienced at detective work. So he created Hicks. So far, so
good. Hicks is a nice start on a character though not as sympathetic
or endearing as Stout's other creations.
The problem comes not from the
characters, but from their presentation to us. Stout seems
uncomfortable with the omniscient point-of-view and commits the crime
of omission in several places. Archie as narrator is a much more
satisfying experience.
While the book is a must-read for
Stout fans, if this was your first Stout book it would not encourage
you to read more of his works. Which would be unfortunate.
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